The discovery of a man over fifty who
Markus recognises changes the lives of
the residents of Thunder Mountain forever.
This Season:
This Episode:
Luke Perry [Jeremiah]
Malcolm-Jamal Warner [Kurdy]
Created by J. Michael Straczynski
Executive Producer Luke Perry
Produced by George Horie
Based on the Comic Book by Hermann Huppen
Executive Producers J. Michael Straczynski Sam Egan
Peter Stebbings [Markus Alexander]
Ingrid Kavelaars [Erin]
Byron Lawson [Lee Chen]
Suzy Joachim [Meaghan]
John Ralston
Michael Rooker
Written by J. Michael Straczynski
Directed by Peter DeLuise
Kurdy and Jeremiah are tracking a group wearing
protective suits said to be abducting people. When they catch
up with them, all but one escape by helicopter. He appears to
be at least fifty years old. They take him back to Thunder
Mountain, where Markus recognises him as Major Quantrell, controller
of Thunder Mountain at the time of the Big Death. It transpires
he is from Valhalla Sector; they are preparing to come out and
take over the world. Six helicopters bear down on Thunder
Mountain, but when Quantrell is killed, they hesitate for
a moment and then turn back. Knowing they have passed the
point of no return, Markus decides it's time for Thunder
Mountain to be more proactive.
Major G Quantrell was the de facto commander
of Thunder Mountain due to the death of his superior
officers. His intention was to seal off Thunder Mountain, but
when he discovered the disease had got inside, he fled
and was picked up by a helicopter that took him to Valhalla
Sector.
Markus's parents were Dr Sean and Jean
Alexander. They died together just outside Thunder Mountain.
Markus was a proficient computer hacker
in his adolescence.
We discover that Meaghan's full name
is Meaghan Lee Rose.
Lee Chen has a contact outside
Thunder Mountain who is aware of Quantrell. This contact
is the long-haired man who delivered the warning/blessing
to Jeremiah at the start of
"The Long Road". Lee lets him into
Thunder Mountain, where he follows Jeremiah. He gives his
name as Ezekiel, and claims to be Jeremiah's brother,
though it is likely he means this figuratively. Later, he
gains access to the quarantine area where Quantrell is being
kept and kills him by turning on the emergency air evacuation.
"Nothing's the same anymore." - Jeremiah (Commander
Sinclair said the same thing in "Chrysalis", the first season
finale of Babylon 5, also scripted by Straczynski).
Markus: "They're all gone, but you're still
here. Why?" Quantrell: "Clean living."
Valhalla Sector's manifesto, as stated by
Quantrell: "We're coming out. That's right. We've been waiting - biding
our time. Now we're just about ready to move. And when we do, we're
going to build a world based on power. Anybody doesn't like it, we'll
push them aside or leave them behind. Because we've got the
knowledge. We've got the technology. We've got the guns. And we've
got the will."
The moment something inside Markus snaps: "You
want a war? You want a war, Jeremiah? Swords into
ploughshares, man. You want a piece of flesh, I want a piece of
flesh, all God's children want a piece of flesh. You want a
war, Jeremiah, you want a war? You got a war."
Kurdy, after listening to Markus talk about the
Black Death and the Renaissance: "It's a cool story, but I don't
think it really answers 'Are you OK?'."
Markus's phrase "swords into ploughshares" comes
from Isaiah, Chapter II, verse 4: "They shall beat their swords
into ploughshares, and their spears into pruning-hooks; nation
shall not lift up sword against nation, neither shall they learn
war any more" (Authorized Version). Jeremiah and Ezekiel are also
books of the Old Testament, of course. "Piece of flesh" is likely
an allusion to the "pound of flesh" owed by Antonio to Shylock
in Shakespeare's The Merchant of Venice.
See the
previous episode for a discussion of GPS.
During a flashback sequence, Quantrell likens Meaghan
to "Typhoid Mary", the nickname
given to Mary Mallon, an immigrant to the U.S. from Ireland. The main
point of comparison is that Mallon was a "healthy carrier" of typhoid
fever, possessing the disease and able to spread it to others but not
suffering from its effects. She was tracked down when a series of homes
where she had worked as a cook suffered outbreaks of the disease.
Mallon always denied that she was a carrier,
pointing to private medical evidence that found no traces of the disease.
Nevertheless, she was isolated in a cottage on North Brother Island.
Although not imprisoned in such a small space as Meaghan, she did spend
a stretch of 23 years there before her suffering a stroke caused her to
be moved to a hospital. She died a few years later in 1938.
Quantrell claims he has a GPS beacon chip
surgically implanted. It appears he is telling the truth, as the
helicopters seem to detect his death.
The belief at the time of the Big Death
was that it was transmitted via bodily contact. Dr Alexander
also says "stage two infection leads to periodic
blackouts [and] dementia."
"My fathers say hello. Both of them," says Ezekiel
to Quantrell. Possibly one of the fathers he refers to is
Jeremiah's, hence his cryptic claim that they are brothers, in
which case, he is still alive and probably also at Valhalla
Sector. Further evidence for this theory comes when Quantrell
recognises Jeremiah's name.
Both Ezekiel and Lee Chen's personal loyalties
are under question. Lee may be a straightforward spy for Valhalla
Sector, but Ezekiel is more mysterious. Who benefits from Quantrell's
death? In the short term, Thunder Mountain avoids a frontal
attack. Does he have orders to protect Jeremiah?
Given that Thunder Mountain was designed to withstand
a nuclear blast, what does Valhalla Sector hope to achieve by
sending helicopters, however heavily armed? Perhaps they expect
Lee to let them in. Alternatively, given his "tin-opener" reference,
Quantrell may believe Valhalla Sector has the means to override
the key-card security. Of course, it could be a bluff to pressure
Thunder Mountain into releasing Quantrell before he gives away
any information.
Wow! A pivotal episode that feeds us with a
lot of information but in doing so, gives the show's format a
fresh impetus by forcing Thunder Mountain to take a more
proactive approach now that the antagonists are starting to
move out of the shadows. The twin storylines of then and now
inform each other and counterpoint neatly to give a richness
and texture to the drama.